By Hamiru-aqui

ISBN-10: 1933330015

ISBN-13: 9781933330013

Who must converse eastern? There’s much you could say with conventional hand gestures and physique motions which are common in addition to uniquely jap. This whimsical examine “the language of no language” will educate you to hurl insults, flirt, agree, excuse your self, pass the road, or even make promises—wordlessly! (And who's that stoic man donning a go well with in the entire photos?) ultimately, the way to inform anyone at a noisy social gathering, “Your lingerie is showing,” in 4 effortless hand motions. it is a ebook for the intense pupil, the category clown, and the loopy man at Akihabara Station hoping to speak with Godzilla.

Hamiru-aqui is a eastern artist established in Tokyo.

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When it comes to facial expressions of superiority, though, there is one area of commercial advertising in which looking down on the viewer in a figurative sense is the norm. Anyone who has looked at ads for clothes and other fashion items will have noticed a striking difference between the images in high-fashion magazines, on one hand, and ads for less-expensive products, on the other. This difference can also be observed in a comparison between the demeanor of haute couture runway models and the facial expressions of their counterparts in such venues as the Home Shopping Network.

10); God giving life to Adam in Michelangelo's Sis tine Chapel ceiling fresco; the "Great Wave" by the Japanese artist Hokusai; and any number of movie scenes, ranging from Casablanca to Star Wars. The aspect of this phenomenon that most directly concerns us here is illustrated in an ad based on the image of the Mona Lisa, whose protean features seem to provide inexhaustible inspiration to parodists (Strumwasser & Friedman, 1992). 11). In one version, she is holding a bottle of Prince Spaghetti Sauce; in the other, a bottle of Prince Chunky Homestyle.

For instance, during a TV commercial in which one neighbor tells another about the superior properties of a new laundry detergent, the camera might shift to the point of view of the person receiving the advice or, more rarely, the person offering it. The effectiveness of action-scene subjective shots has been tested by Orton, Reeves, Leshner, and Nass (1995) in an experiment involving two simultaneously produced videotapes of the same event, recorded from both a subjective and a nonsubjective perspective.

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70 Japanese Gestures: No Language Communication by Hamiru-aqui


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