By Glenda Norquay, Gerry Smyth
Around the Margins bargains a comparative, theoretically proficient research of the cultural formation of the Atlantic Archipelago. In its total belief and in particular contributions, this assortment demonstrates some great benefits of operating around the disciplines of background, geography, literature, and cultural experiences. It additionally provides new configurations of cultural varieties hitherto linked to particularly nationwide and sub-national literatures.
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Extra resources for Across The Margins: Cultural Identity and Change in the Atlantic Archipelago
He claims that a ‘syntax opulent with tomorrows’ is ‘our response to mud cabins and a diet of potatoes’. (1991: 1313) This is a critical passage, because it captures a central tension in modern Irish writing and criticism. The old eloquence that threatened to turn into stage Irishness, the eloquence of dialect or ‘poet’s talking’, has been supplanted by another eloquence, apparently invisible, in which writers adopt an anglicised mode that avoids engaging with an ‘inferiorised’ Irishness. Kiberd’s allusion to ‘a more modern Irish generation … less charmed by [the] disjunction’ between economic poverty and linguistic plenty is telling.
Norquay_02_Ch1 30 22/3/02, 9:43 am 2 ‘A warmer memory’: speaking of Ireland 1 COLIN GRAHAM The colonized considers those venerable scholars relics and thinks of them as sleepwalkers who are living in an old dream. (Memmi 1990 : 172) [He] says that in the course of his labours it would happen that inspiration failed him: he then would go downstairs and out of his house, and enter a public urinal whose odor was suffocating. He breathed deeply, and having thus ‘approached as close as he could to the object of his horror’, he returned to his work.
The first poem is by James Joyce, and expresses the theme of betrayal that characterises much of his writing on Scotland. In ‘Gas from a Burner’, published in 1912, Joyce wrote: Poor sister Scotland! Her doom is fell She cannot find any more Stuarts to sell. (Levin 1977: 462–3) The second poem, called ‘Donegal’, is by the Scottish Gaelic poet Derrick Thomson (Ruaraidh MacThomais), and puts matters in a different light. It is in Gaelic, and although it is called ‘Donegal’, its subject is the Gaelic language(s).
Across The Margins: Cultural Identity and Change in the Atlantic Archipelago by Glenda Norquay, Gerry Smyth