By Mark Christiansen
This is often the single booklet within the After results marketplace to concentration solely at the production of visible results, and is a one-stop source for a person who desires in-depth factors that demystify the area of visible results and the way they have been created, due to veteran writer Mark Christiansen's pleasant and available kind. A completely packed, informative learn, this masterful advisor specializes in explaining the fundamental techniques, gains, and methods which are key to making seamless movie-quality visible results. clients who're ok with After results will discover a necessary assessment of After results fundamentals—managing photos, viewing and modifying layers, animating sort, and more—so they could find out how to paintings smarter and extra successfully. Readers of all degrees will examine center innovations for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digital camera, and concluding with utilizing expressions in After results, written via contributor and professional Dan Ebberts. the ultimate component to the publication delves into artistic explorations, demonstrating expert results that readers will need to re-create. Readers also will locate entire insurance of all that is new and makes this model of Adobe’s results application any such boon to video execs of all stripes: searchable timelines and initiatives, Photoshop 3D layers import, the comic strip impact, Imagineer structures’ Mocha for Adobe After results, more advantageous workflow for cellular units, and extra. in the course of the e-book, attractive full-color examples display what is attainable, whereas the better half DVD bargains demos of After results CS4, pattern pictures, and software program plug-ins.
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Extra resources for Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques
Examine footage channel by channel (Chapter 5). Turn the Exposure control in the comp viewer up and down to make sure everything still matches (Chapter 5). Assume there’s a ﬂaw in your shot; it’s the only way around getting too attached to your intentions. Approach your project like a computer programmer and minimize the possibility of bugs (careless errors). Aspire to design in modules that anticipate what might change or be tweaked. The Trials and Tribulations of QuickTime QuickTime is the most ubiquitous and universal playback format among video professionals, despite that it is proprietary.
If you are in any doubt about that, set it to Ask User to avoid forgetting to set it properly. More information on alpha channels and how they operate is in Chapter 3. Frame Rate I have known experienced artists to make careless errors with frame rate. Misinterpreted frame rate is typically an 18 I: Working Foundations issue with image sequences only, because unlike QuickTime, the ﬁles themselves contain no embedded frame rate. You can also override the QuickTime frame rate, which is exactly what After Effects does with footage containing any sort of pulldown (see next section).
Rendered ﬁles can include XMP metadata (if toggled on, as by default); this includes information that the ﬁle came from After Effects. Save Output Modules early and often using the Make Template option at the bottom of the pop-up menu. If you intend to render with the same settings even once more, it saves time. Unfortunately these cannot be easily sent to another user. Optimized Output Following are some suggested output settings (Render Settings and Output Modules) for speciﬁc situations: . Final output should match the delivery format; it’s usually an editor who decides this.
Adobe After Effects CS4 Visual Effects and Compositing Studio Techniques by Mark Christiansen