By Mark Christiansen
This can be the one booklet out there to concentration completely at the production of visible results for After results clients, and is a one-stop source for somebody who desires in-depth causes that demystify the area of visible results and the way they have been created, because of veteran writer Mark Christiansen's pleasant and obtainable kind. A completely packed, informative learn, this masterful advisor specializes in explaining the fundamental recommendations, positive factors, and strategies which are key to making seamless movie-quality visible results. clients who're pleased with After results will discover a priceless overview of the basics - dealing with pictures, viewing and enhancing layers, animating kind, and extra - to allow them to tips on how to paintings smarter and extra successfully. Readers of all degrees will study middle recommendations for results compositing together with colour matching, keying, rotoscoping, movement monitoring, emulating the digital camera, and concluding with utilizing expressions in After results, written via contributor and professional Dan Ebberts. a really priceless appendix on scripting in After results is incorporated in addition, written by way of Adobe engineer Jeff Almasol. the ultimate portion of the e-book delves into inventive explorations, demonstrating expert results which are in general obvious in movies and video games which readers can re-create. Readers also will locate complete insurance of all that is new and makes this model of Adobe's results programa must-have replace, together with the progressive new Roto Brush, all new results reminiscent of the recent Refine Matte influence, new help for colour Look-Up Tables, workflows that make the most of the all-new 64-bit help, inclusion of third-party instruments for extra creativity, and masses extra.
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Additional info for Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques
The worst scientist is he who is not an artist; the worst artist is he who is no scientist. —Armand Trousseau Composite in After Effects T his book is about creating visual effects using Adobe After Effects, the world’s most ubiquitous compositing application. It helps you create believable, fantastic moving images using elements from disparate sources, and do so with the least possible effort. This ﬁrst section offers a jump-start (if you’re relatively new) or a refresher (if you’re already an After Effects artist) on the After Effects workﬂow.
Put the version number at the end of the project name and the output file, and make them match. tif for version 1. Pad sequential numbers (adding zeros at the beginning) to keep things in order as the overall number moves into multiple digits. And remember, After Effects itself doesn’t always handle long filenames and paths particularly well, so a system that is concise makes key information easier to find in the Project panel. Chapter 4 tells more about how to send your project to Adobe Media Encoder for multipass encoding; this requires Adobe CS5 Production Premium.
Image sequences have a couple of speciﬁc extra rules but there are beneﬁts that make them more reliable than QuickTime movies: . An image sequence is less fragile than a QuickTime movie; if there is a bad frame in a sequence, it can be replaced, but a bad frame will corrupt an entire movie. 11 Chapter 1 Composite in After Effects . You can interrupt and restart an image sequence render without then having to splice together multiple movies. QuickTime in particular has its own form of color management that isn’t entirely compatible even with Apple’s own applications, let alone the Adobe color management pipeline (explained in depth in Chapter 11).
Adobe After Effects CS5 Visual Effects and Compositing Studio Techniques by Mark Christiansen