By Diana Weynand
Thoroughly revised for ultimate lower professional 7 and that includes new photos from TNT’s hit convey Leverage and the overseas track construction occasion taking part in For switch: Peace via song, this best-selling, Apple-certified consultant offers a powerful origin in all features of video enhancing. popular writer Diana Weynand begins with simple video enhancing thoughts and takes you throughout ultimate reduce Pro’s strong complex features.Each bankruptcy provides an entire lesson in a facet of video enhancing and completing, utilizing specialist broadcast pictures. After marking and modifying clips to create a coarse minimize, you’ll how to trim and refine the reduce earlier than relocating directly to complicated projects corresponding to including titles, developing transitions and movement results, using filters, and dealing with multi-format and multi-camera pictures. The e-book covers ultimate lower Pro’s fascinating new positive aspects, together with iChat Theater aid, the redesigned velocity instruments, and sharing initiatives on a Blu-ray disc. DVD-ROM contains lesson and media records for over forty hours of training Focused classes take you step by step via expert, real-world projects Accessible writing sort places knowledgeable teacher at your side Ample illustrations and keyboard shortcuts assist you grasp options fast Lesson ambitions and time estimates assist you plan your time Chapter overview questions summarize what you’ve discovered and get ready you for the Apple qualified professional examination
Read or Download Apple Pro Training Series: Final Cut Pro 7 PDF
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Additional info for Apple Pro Training Series: Final Cut Pro 7
6 Click Yes to have Final Cut Pro automatically change the Believe Selected Takes sequence settings to match the SeaWorld footage. MORE INFO Ǡ You will learn more about changing sequence settings in Lesson 7. The marked clip is automatically placed on the Timeline tracks. The upper (blue) portion of the clip is the video, and the lower (green) tracks are the stereo audio. These tracks are a linear representation of time, proceeding horizontally from left to right. At the end of the clip is the playhead, which functions just as the Viewer playhead does.
10 To move to the exact location in this clip where the trainer opens her hands, click in the Current Timecode field and type 00143324, then press Return. When entering a timecode, you don’t need to click first in the Current Timecode field. Just make sure the Viewer window is active, then start typing the timecode. Final Cut Pro knows that you are typing a timecode and automatically places it in that field. Also, you never need to type preceding zeros or the colons or semicolons that separate numbers.
2 In the Canvas, drag the playhead in the scrubber bar to the far left, or press the Home key. What’s the duration of the sequence you’ve been building? And where does the sequence start? Depending on where you marked your edit points, your duration may be different from the one in the image below. NOTE Ǡ 41 42 Editing in Final Cut Pro While the Viewer scrubber bar represents the length of one clip, the Canvas scrubber bar represents the length of the entire sequence. This length appears in the Timecode Duration field, positioned in the upper-left corner, just as in the Viewer.
Apple Pro Training Series: Final Cut Pro 7 by Diana Weynand